.Our sequence - bullet point action

 Our sequence - bullet point action 

Brief overview: is a boy and his mates leave a party drunk. On the way back they start to hear sounds then his mates disappear! Suddenly creepy things start to happen to him, he then starts to panic. Though his moral is boosted as he sees his house with the front light on (portrayed as a beacon of hope) the light then flashes on and off and when it turns back on he is gone – title card of Gone.

Track shot of a boy leaving party through the corridor 

Pov shot over his shoulder walking on gravel front garden then out the gate 

Can see the woods silhouetted by the moon (full if poss) 

Cut to wide shot of party noise raiding in the background? 

The boy then turns with a wide angle shot of woods - hears crack of branch to the left close up of his eyes 

flicking. 

Zoom out as the boy crunches onto the leaves felled from the cold winter off the tarmac. 

Then over shoulder shot of silouette standing behind him motionless and actionless. 

• This is Felix’s idea!
• in a suit gets out and walks in.
• Shot of a green table which tilts up where we see the rest of the poker table and the people around it
• Close up shot of the man in the suit (rich man) dropping chips on the table from his hand repeatedly
• Close up of his eyes that look up from his cards and across the table
• Mid shot of the man he is looking at who catches his eyes and quickly looks away
• The camera would then reverse back to the rich man who would look up to the corner opf the room
• Shot from behind of man in a control room, he would say 'begin'
• Side profile shot of the rich man saying stick 
• Shot of his arm pushing chips into the middle
• Head Shot of the man closest to him clockwise saying 'stick' (man 1)
• Head Shot of the next man saying 'Twist' (Man 2)
• Head shot of the rich man staring at him
• Table level shot of the rich man taking a card off the top of the pile and passing it to man 2
• Over the shoulder of man 1 shot focusing on man 3 who says stick and slides his chips into the middle 
• Shot of man 2 who says 'twist' again. The camera stays on him as he is passed another card where he then looks at them for a second before looking up and saying 'bust'
• Same shot but now on the rich man who looks up at the camera again
• Shot from behind the person sat at the control desk who then says 'send them in' 
• Close up of rich man's hand reaching under the table
• Loud buzz and red light and a heavy door is opened a man comes in and drags off the man who went bust
• Side shot of rich man putting cards on the table
• Over head of cards as he says "19'
•  shot of man 1 putting cards down and says '19
• same for third man
• Over head of the rich man dealing out another round of cards 
• Rich man looks up at camera 
• Head shot of man 3 gulping
• Rich man looks back forward and says 'stick'
• Cut to man 1 looking at cards then saying 'twist' and being handed another 
• Very short shot of man three saying 'Stick'
• Move back very fast to man 1 saying 'twist again' then looking at his cards and then looks up at the rich man
• Shot of rich man returning the eye contact 
• Shot of man 1 saying 'twist' again whilst maintaining the eye contact 
• Shot of man 1s hands as he says stick and lays hes cards on the table (they add up to 21)
• Shot of man 3s hands putting his cards down
• Shot of the rich man's face 
• Shot of rich man's hands as he puts his cards down on the table (they add up to 20)
• He looks up into the corner
• Same shot of the control room and the person says 'let him out'
• Rich man presses the same point under the table
• Shot of the guard walking back in
• Shot of man 1 being dragged out of his chair
• Shot from outside of a door (bunker looking) the door opens and man 1 is dropped outside 
• Shot of the sun
• Ecu of his eyes squinting
• Fully body shot of him laughing on the ground
• END

Zachs idea \/

*Establishing Birdseye view drone shot following a car going towards a house(10 sec)

*zooms in towards car (2-4 sec)

*cuts to wide shot inside the car showing husband and wife talking about the move into this new house (8-10 secs)

*cuts to a wide shot in the parking lot showing them getting out of the car 

*Camera pans to them walking on the gravel towards the house with pleonastic sound of them stepping on the gravel

*as they open the door, it creaks and the camera cuts to a mid shot inside the house showing the doorway and them walking in

*cut to a wide shot showing them walk into the main area of the house

*Camera pans as away from the family as they go to check out the kitchen

*camera slowly moves up the staris and continues moving across the corridor (15-25 secs)

*as door in the corridor opens we cut back to the family 

* wide shot of family talking about how cool the new house is 

*cut to outside of kitchen where girl runs out as parents are talking 

*Wide shot of girl as she walks towards a room next to the stairs

*as the girl opens the door the camera pans to the left and we see a shadowy figure at the top of the stairs

*cuts to a black screen with the red worded title "Shadow Manor"

My idea 

Our sequence - bullet point action

Brief overview: is a boy leaving a party drunk. On the way back they start to hear sounds then cracks of branches and co! Suddenly creepy things start to happen to him, he then starts to panic. Though his

moral is boosted as he sees his house with the front light on (portrayed as a beacon of hope) the light then

flashes on and off and when it turns back on he is gone - title card of Gone.

Track shot of a boy leaving party through the corridor

Pov shot over his shoulder walking on gravel front garden then out the gate

Can see the woods silhouetted by the moon (full if poss)

Cut to wide shot of party noise raiding in the background?

The boy then turns with a wide angle shot of woods - hears crack of branch to the left close up of his eyes

flicking.

Zoom out as the boy crunches onto the leaves felled from the cold winter off the tarmac.

Then over shoulder shot of silouette standing behind him motionless and actionless.

then long shot other way of the boy waking and slurring as he does so.

Then close up of his red eyes

Flicks from his eyes to a blurry moon shot from his pov

Then as he starts to run as he feels ill or creeped out a shot from a tree shows leaves parting behind him as

he walks the corner out of the woods he then feels breeze on his neck.

moral is boosted as he sees his house with the front light on (portrayed as a beacon of hope.

George’s idea -

It’s set in Guildford 

-Car chase 

-Two cars 

-One is a get away car with a rough looking man driving and a hostage in the back with a black bag around their head with duck tape over mouth 

-The second car is an undercover police car with an attached siren and two police colleagues 

-Establishing shot- begins w a drone shot (birds eye view) of the two cars driving through guilford with dialogue over the top being the the police talking to each other on walkie-talkies saying that there’s a getaway driver with a hostage moving down a certain street 

-Then cuts to one of the policemen saying ‘yep we’re on him!’

-Close up shots of the car tires turning n screeching 

-Then a static shot (camera stays still while two cars zoom by) 

-Then cuts to a shot of the getaway driver’s face through the windscreen mirror looking at the undercover car following with an uncomfortable and distressed facial expression 

-The hostage tries to say something and the driver immediately snaps back and tells the hostage to shut up and not to move 

-Then a few more tracking shots of the camera moving w the cars from outside

-Could be done by having a camera in another car and driving next to the two cars 

-Then eventually driver falls into a dead end n stops the car

-Undercover police car pulls up behind it and one cop pulls up a mega phone and says to come out slowly with your hands in the air 

-Cuts to a shot focused on a gun int he getaway drivers car with him looking at it

Felix second idea - 

pan down from the sky onto the street of a small town/village

Girl walks past the camera

Shot of her walking right to left Infront of a building

Shot from Infront of her walking towards the camera

Shot from inside a car which follows her as she walks past

Shot from behind her as she enters a shop

Cut to inside the shop, and empty isle, she walks round the corner and starts looking for an item

Cut to a shot of the door from inside where a man walks in and looks at the girl

Shot of the girl returning his eye contact and looking back at the shelves 

The man then starts browsing the shelves on the same isle

The women glances back at him then picks up her basket and moves to another isle 

Shot of her coming around to the next isle and checking behind her

The man walks round the other side of the isle

Heart pounding music (heavy base) starts playing, increase in tempo as he gets closer and closer to her

Switches between shots of him walking casually towards her and her looking at him through ther corner of her eye

Music cuts when he gets to her. He says 'sorry, just need to grab some beans' whilt reaching over her head

He knocks her

Fast cut to her body slipping 

Fast cut to her being caught 

Fast cut to the man's hand with a needle in it

She regains her balance and says, 'thank you' and looks at the floor

Shot at the needle now empty and used

Shot of the man from her eye line saying 'no problem' smiling weirdly

Shot of the girl starting to panic]

Cut to her hand dropping the shopping which hits the ground in slow motion with a massive low crash

Front profile shot of her stumbling towards the door Shot from behind of her leaving

Side shot of her stumbling back down the street stumbling into things with no affects (as is someone is seeing it happen

Close up of the man's head and shoulders coming out of the door of the shop and looking at her

Front profile shot of her stumbling and now almost crying

Shot of her eyeline where everything seems to be moving and the sound has effects such as echo, large reverbs and muffled noises

Another front profile of her but this time in the background you can see the man from the shop following her but blurred out.

CUT TO BLACK